Wednesday 1 April 2020
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Israeli Early Cinema

In memory of Jospeh Halachmi (1933-2019)

Early Irish Cinema, 1895-1921, Examines early and silent cinema and its contexts in Ireland, 1895-1921.

It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. 

In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, it provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-)visual form.

CONTACT THE AUTHOR / CONTACTER L'AUTEUR

Denis Condon
Lecturer in Film
School of English, Media and Theatre Studies
National University of Ireland, Maynooth
Co. Kildare
Tel.: +353 1 7086212
Web page: mediastudies.nuim.ie/staff/deniscondon

TABLE OF CONTENTS / SOMMAIRE

Contents
Abbreviations.......................................................................... vi
 
Acknowledgements................................................................. vii

List of Illustrations................................................................... ix

List of Plates.......................................................................... xiii

Introduction............................................................................. 1

1. Retrospection and Projection............................................... 15

2. Theatre.............................................................................. 80

3. Virtual Tourism................................................................... 125

4. Participation........................................................................ 177

5. The Great Institution of Kinematography................................. 211

Conclusion.............................................................................. 267

Filmography ............................................................................ 274

Bibliography............................................................................. 284

Index .................................................................................... 296