"A.G. Parker Cinema Collection", of the "European Collections and Cataloguing" (ECC) as part of the Cambridge University Library film book collections
Former University Library staff member Glynne Parker died in October 2011 - After his death, collection of printed matter and ephemera on film was presented to the Cambridge University Library film book collections.
Glynne Parker’s own records show that his book collection ran to 2774 books. Journals make up a minor component of the overall collection, but include some fairly rare small-run publications. Glynne concentrated on American, British, and European cinema and bought chiefly in English, French, and Italian. His great interest in silent cinema is reflected strongly in the collection, with many major Italian titles about the genre and over 50 books about Buster Keaton.
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"A.G. Parker Cinema Collection", of the "European Collections and Cataloguing" (ECC) as part of the Cambridge University Library film book collections
Former University Library staff member Glynne Parker died in October 2011 - After his death, collection of printed matter and ephemera on film was presented to the Cambridge University Library film book collections.
Glynne Parker’s own records show that his book collection ran to 2774 books. Journals make up a minor component of the overall collection, but include some fairly rare small-run publications. Glynne concentrated on American, British, and European cinema and bought chiefly in English, French, and Italian. His great interest in silent cinema is reflected strongly in the collection, with many major Italian titles about the genre and over 50 books about Buster Keaton.
The book "Theatre to Cinema: Stage Pictorialism and the Early Feature Film", first published by Oxford University Press in 1997, is now available in an open access, online edition on the UW Library Digital Collections site.
Please visit uwdc.library.wisc.edu/collections/arts/thetr2cnma.
Read more: Theatre to Cinema: Stage Pictorialism and the Early Feature Film
Joseph Halachmi a retired film & tv director - producer and now a world renowed film & cinema hostorian with an Israeli Early Cinema speciality.
Halachmi is the son of early israely film director Chaim Halachmi & acctress Dvora Halachmi.
MSPC
Film & TV Director-Producer
Israeli Film Historian & Researcher
Israeli Educational Television (Retired)
In commemoration of the seventy-fifth anniversary of the Hebrew film, the Philatelic Service issued a series at stamps. Dedicated to three Hebrew films, each one being a landmark in the Hebrew cinema, both silent and sound: "Judah Liberated", the first Hebrew film; "Oded the Wanderer" ("Oded Hanoded"), the first full-length Hebrew feature film; and "This is the Land", the first Hebrew "talkie".
Oded Hanoded is 1932 Drama film directed by Chaim Halachmi (Haim Halachmi), and written by Chaim Halachmi (Haim Halahmi) and Tzvi Lieberman-Livne (Based on his childrens book).
Considered first full-length Hebrew feature film.
"A cornerstone for the Hebrew cinema was laid yesterday" by Doar Hayom after the film's premiere at Jerusalem's Zion Cinema.
Uri Klein, Ha’aretz film critic: “Today, 78 years after its making, the major interest in watching the film stems from its attempt to deal with the conflict between the collective and the individual".
Israel Film Center at JCC Manhattan is a resource for Israeli film, with the goal of expanding Israel's emerging film industry and promoting Israeli culture in America.
Book review, of "Fresh Wind: The first Zionist Film in Palestine, 1899-1902" by Israeli film historian Jospeh Halachmi.
Published by Routledge, "Early Popular Visual Calture" (Vol.8, No.4, November 2010, 451-458).
Read more: Fresh Wind: The first Zionist Film in Palestine - Book Review
In Berlin "The Archive of the East-European Jews" became the main world center for the preservation of documents, still photographs and motion pictures from the 1919-1920 pogroms.
Read more: Documentary films recording the Pogroms in the Ukraine
The 26th edition of the catalogue of “Le Giornate Del Cinema Muto”, pp. 35-36
Courtesy of Mr. Livio Jacob, President of the festival.
Text by: Hans-Michael Bock, Geoff Brown, David Robinson
Read more: German silent films of the Weimar period revalued
Stroy of beloved film star Charlie Chaplin, the jewish film and him as a “Jewish character”.