René Clair’s (much embattled but ever resilient) reputation as one of the supreme stylists of screen comedy still rests essentially on the quartet of populist films he made in a breathtaking élan of creativity between 1930 and 1933. These comedies – Sous les toits de Paris, Le Million, À nous la liberté and (the lesser known) 14 juillet – vindicated the art of European sound film, released the early talkies from the artless yoke of canned theatre, and placed Clair in the elite of world-rank directors.
All of the silent holdings in Denmark's cinema archives are being digitized and made available for free.
In her documentary film “Bergman – A Year in a Life”, Jane Magnusson discusses the topic of Ingmar Bergman and Nazism. In his memoir “Laterna Magica” and his interviews Bergman consistently emphasized his Nazi enthusiasm that lasted until well after the end of World War became convinced II when he learend of the truth about the Holocaust.
The trouble with Ingmar's account is that nobody confirms it.
Antti Alanen (born 1955) is a film programmer at the Helsinki cinematheque (National Audiovisual Institute / Finland) and historian. He has been the programmer at the Helsinki cinematheque since 1985, programming for Cinema Orion. In 2019 the cinematheque is moving to Kino Regina at the new Central Library.
We are pleased to share the call for submissions for the Domitor 2018 Student Essay Award.
If you are currently enrolled in an undergraduate or graduate program, or have received a degree after January 2018, please consider submitting your paper.
Submissions may be written in either French or English and should not exceed 7000 words. All submissions are due electronically (as a PDF or Microsoft Word document).
All entrants must be enrolled in an undergraduate or graduate program at the time of submission, or have received a degree no earlier than January 2018. Essays prepared by students to fulfill course requirements may be submitted. An essay will not be accepted, however, if it has been previously published or issued in any form of general distribution. Each student may enter only one essay.
The deadline is September 1, 2018, and the award consists of a $500 prize and assistance with its publication in a professional film historical journal.
A special section of DOMITOR website is dedicated to publishing monthly posts by Domitorians - Please visit here www.domitor.org/posts.
You are all warmly invited to contribute to this Domitor blog as guest-editors. Should you have a post proposal, please contact the Domitor EC here.
"A.G. Parker Cinema Collection", of the "European Collections and Cataloguing" (ECC) as part of the Cambridge University Library film book collections
Former University Library staff member Glynne Parker died in October 2011 - After his death, collection of printed matter and ephemera on film was presented to the Cambridge University Library film book collections.
Glynne Parker’s own records show that his book collection ran to 2774 books. Journals make up a minor component of the overall collection, but include some fairly rare small-run publications. Glynne concentrated on American, British, and European cinema and bought chiefly in English, French, and Italian. His great interest in silent cinema is reflected strongly in the collection, with many major Italian titles about the genre and over 50 books about Buster Keaton.
The book "Theatre to Cinema: Stage Pictorialism and the Early Feature Film", first published by Oxford University Press in 1997, is now available in an open access, online edition on the UW Library Digital Collections site.
Please visit uwdc.library.wisc.edu/collections/arts/thetr2cnma.
Read more: Theatre to Cinema: Stage Pictorialism and the Early Feature Film
Joseph Halachmi a retired film & tv director - producer and now a world renowed film & cinema hostorian with an Israeli Early Cinema speciality.
Halachmi is the son of early israely film director Chaim Halachmi & acctress Dvora Halachmi.
MSPC
Film & TV Director-Producer
Israeli Film Historian & Researcher
Israeli Educational Television (Retired)
In commemoration of the seventy-fifth anniversary of the Hebrew film, the Philatelic Service issued a series at stamps. Dedicated to three Hebrew films, each one being a landmark in the Hebrew cinema, both silent and sound: "Judah Liberated", the first Hebrew film; "Oded the Wanderer" ("Oded Hanoded"), the first full-length Hebrew feature film; and "This is the Land", the first Hebrew "talkie".
Oded Hanoded is 1932 Drama film directed by Chaim Halachmi (Haim Halachmi), and written by Chaim Halachmi (Haim Halahmi) and Tzvi Lieberman-Livne (Based on his childrens book).
Considered first full-length Hebrew feature film.
"A cornerstone for the Hebrew cinema was laid yesterday" by Doar Hayom after the film's premiere at Jerusalem's Zion Cinema.
Uri Klein, Ha’aretz film critic: “Today, 78 years after its making, the major interest in watching the film stems from its attempt to deal with the conflict between the collective and the individual".
Israel Film Center at JCC Manhattan is a resource for Israeli film, with the goal of expanding Israel's emerging film industry and promoting Israeli culture in America.
Book review, of "Fresh Wind: The first Zionist Film in Palestine, 1899-1902" by Israeli film historian Jospeh Halachmi.
Published by Routledge, "Early Popular Visual Calture" (Vol.8, No.4, November 2010, 451-458).
Read more: Fresh Wind: The first Zionist Film in Palestine - Book Review